Gomorrah Girl

‘Italy is often associated with the Coliseum, Pompeii, Tuscan hillsides and quaint cobbled roads. It is a struggle to conceive of the inhumane underbelly of a place we so blissfully romanticize. Hollywood portrayals of mafia-like organizations such as The Godfather or The Sopranos conceal the reality of these groups and their implications on society. Spada pulls the rose-colored glasses from our eyes, forcing us to consider how the intimidation, violence and machismo perpetuated by the Camorra reverberates through the fabric of a major city — the third largest municipality in Italy. The final photograph in Gomorrah Girl leaves us uneasy. The thirty-one year old “killer of Scampia” is positioned on a motorcycle in front of a series of apartment buildings, staring straight into the camera’s lens. His girlfriend, who did not want her portrait taken, is almost entirely obscured; all that is visible is a small sliver of her face and downcast gaze. Leaving us to wonder — what will become of these Gomorrah Girls?’

Allie Haeusslein, Director Pier24 Gallery, San Francisco, USA